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The Truth About Pursuing An MFA In Creative Writing. Flickr / Nic Mc. Phee. In 2. 00. 5, responding to an anti- MFA screed on the website Moby. Lives. com, Steve Almond wrote, . Yet despite the proliferation of institutions dedicated to teaching exactly that, the question (or for some, the negative declaration) remains, as abiding as the seasons. The latest churn of thought mostly circles Elif Batuman’s provocation. Batuman ostensibly reviewed Mark Mc. Gurl’s “The Program Era” . Mostly, though, she despairs the current state of American fiction and laments what she sees as an ahistorical, aliterate perspective endemic to MFA programs. ![]() Are they writers because they have MFAs and were taught in that crafty MFA way? Or are they writers because they are writers? Without rehashing the same old (unfalsifiable) arguments about the teaching of writing/creativity/art/soul, what then, can we meaningfully say about Creative Writing and, more specifically, MFA programs (plural)? First, I think it’s useful to draw a division between the experience of an MFA program and the usefulness — primarily economic, but let’s include self- identification in there as well — of the Master’s of Fine Arts as a credential. Usually it’s that first element that matters most to . What does that feel like? Or, more pointedly, how do people idealize what it should feel like? To answer this question, one can open almost any issue of The Writer’s Chronicle, a publication of the Association of Writers and Writing Programs. This association claims to speak for creative writing professionals across the country, and though the organization has a rocky history, it’s the de facto voice of the creative writing establishment . The issue nearest to hand features an article by Elizabeth Eshelman. These claims might strike you as idealistic or wishy- washy or naive, depending on your disposition. A program’s sense of community obviously varies from place to place: some departments are welcoming and nurturing, others cutthroat and competitive. Depending on your goals as a writer, some programs appeal more than others. Jobs Abroad; Scholarships Abroad. Take part in an intellectually challenging Creative Writing program with. Most creative writing study abroad programs will. The New School MFA Creative Writing degree program offers. Creative Arts and Health. MFA Creative Writing students develop their craft in workshops and. Should I get an MFA in Creative Writing? Top Creative Writing Masters Programs: School List. MFA in Creative Writing program only admits six students. Top Creative Writing Masters Programs: School. Shop online at creative.com for wireless speakers, Bluetooth headphones, Sound Blaster sound cards, gaming headsets. Recycling Program; Change Country / Region. During my MFA experience, I did find a welcoming community of writers, most of whom I got along with and respected as people. Did three years of having them as an audience improve my writing? But to say much more than that risks again falling into questions of, . Performing a close reading of MFA programs seems more likely to produce actionable knowledge. Looking at what gets taught can suggest what sort of experience these programs provide. I entered the nonfiction track, the ill- defined . At the time, I had two dedicated nonfiction instructors to choose from, though every faculty member listed “nonfiction” on their CVs. The other instructor came from a more academic background (MFA from Iowa; Ph. D from Columbia) and tended toward much more cerebral, essayistic work. He eventually moved out of the program to focus on strictly academic teaching, though he still publishes creative work. He always challenged me to make my work smarter and more ambitious. The Truth About Pursuing an MFA in Creative. The Truth About Pursuing An MFA In Creative Writing. Creative Writing Major. Description: A program that focuses on the process. Students must enjoy writing and they must be creative. Carnegie Mellon's Creative Writing program is one of the oldest undergraduate programs in the country. Students at Chicago pursue creative writing within. That said, he wasn’t writing for a general audience, but for a vanishingly small literary audience . At most institutions, I’d say, the nonfiction track gets the short end of the stick compared to more established genres. It’s worth looking at the Poets & Writers MFA rankings (as unscientific as they are) for a sense of what schools even offer a nonfiction track. Back to who’s teaching: at the number #1 school in the country, the nonfiction faculty largely produce memoir and John D’Agata’s “lyric essay.” This seems to me pretty representative of the MFA culture nationwide; the nonfiction track focuses primarily on memoir and personal essay writing. Ander Monson seems to anchor the nonfiction program at ASU, the #2 school; you can visit his website to see the kind of visually experimental stuff he does. To paraphrase what Tom Bissell says, nearly all writers are needy monsters, but there’s no need for Poets & Writers (among others) to encourage this lamentable condition. The persistent program ranking . You may have noticed that many of the nonfiction faculty in these MFA programs are not themselves credentialed . There is a small window of opportunity there for people who want to try to teach in academia without a Ph. D. However, it’s a rapidly shrinking window, as universities grow more corporatized (focusing on the bottom line and on “metrics” such as degrees) and more old- school, near- retirement journalists make their way into academia. However, if you’re really looking for the MFA on your resume, this article from The Atlantic is worth checking out. Again notice the relative scarcity of nonfiction programs; the list, though, gives you another dataset for thinking about time, money, and opportunity (cost). If you believe you have a strong project that given two (or three) years of serious, sustained work you could turn into a book, then I think the on- campus track has its rewards. However, if you’re just looking to get the MFA to open some career doors (teaching, etc.), then strongly consider one of the low- residency programs. As you probably already know, the workshop model on which most MFA programs run has some serious flaws; no sense wasting your (finite) time with students, many of whom, don’t take their work seriously, and who are incapable of taking your work seriously. Get in and get out. If you do look at an on- campus posting, find one that’s fully funded. The MFA is simply not worth an outlay of your money if you’re not working simultaneously. Other people may tell you differently, running the standard line of “it’s an investment in your future.” Perhaps, but in the meantime, you’re 1) not making much/any money, and 2) you’re paying to go to school, incurring more debt. It will, but you will pay for it forever, both economically and psychically.)Another way of looking at the “should I or shouldn’t I pay for an MFA” is to ask where people go once they finish. They do so because that info can then become marketing fodder, in addition to proving a department’s worth to a dean. Many MFA programs do not do this because 1) the MFA, with no mean irony known as a “terminal degree,” often carries associations of “multi- year quasi- vacation which provides warm bodies for our classrooms” among the administrative staff and tenured research faculty; it’s stigmatized by a perception of fundamental unseriousness; and 2) the data would be horrifying, and perhaps morally damning to those who perpetuate MFA programs. This brings me to asking what kind of career you see yourself pursuing after the MFA. If you’ve already begun a career . But look closely at the kinds of jobs readily available with an MFA. Make sure they are what you want. I will say that, from personal experience, teaching as a lecturer with an MFA guarantees you very little, other than a token (no, seriously, I mean very very meager) salary and no job security. A a single- year lecturer in English might teach a 2/2 load (two courses in the fall, two in the spring, mostly composition but occasionally creative writing) and make $2. Up that to a 3/4 load and you make about $3. Contracts are then renewed annually, department’s discretion. While that sounds discouraging, I really feel responsible for underscoring what a mess the U. S. Academic creative writing is, unfortunately, even more easy prey for all manner of administrative malice, because few creative writing program directors have learned (been disciplined) to effectively communicate their worth. Einstein may have said, “Not everything that can be counted counts, and not everything that counts can be counted,” but good luck trying that argument on people controlling the purse strings. The impending collapse of the academic system is at least in part enabled by a mass of underpaid, half- delusional contingent labor. While you’re there, poking around on the CHE site can give you a sense of the academic outlook (bleak), though they of course often try to march on with a painted smile.) There are certainly good reasons for not wanting to enter into the belly of that beast. Generally, I advise anyone who asks not to go to grad school. I understand part of the appeal is, for some, the structured institution grad school provides: do x, y, and z and when you come out you’ll be a specific kind of person, with a very specific (and not too shabby) life in front of you. In my limited experience, though, this implicit promise is a farce and a sham, and should be called out as such. One can position academia as the last vestige of the welfare state, the only place in America in which one can pursue true intellectual autonomy . Of course, the promise made to graduate students . When it doesn’t happen, people get very bitter, because now 3, 5, 7, 1. That’s a tough row to hoe, and I caution anyone against falling for any “smart people do this” line, whether “this” is higher education or high finance (see the first chapter of Karen Ho’s “Liquidated: An Ethnography of Wall Street” for an insightful discussion of the Culture of Smartness.)The cake is a lie. Just ask anyone who finds this video . Finding a good job with an MFA is about the same, only you’re several years older, so it’s better to have a clear- headed measure for the value of that time. If you do decide to go the MFA route, this is one of the most thorough pieces of advice I’ve seen about the application process. Training Program Management Software. Web. TMA's Training Program Management module is used to plan, request, evaluate, and track hours for training classes. Use the Training Program Management module to design full training programs for different categories of personnel . Managers and supervisors can request training for multiple individuals at one time.
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Gibson books, and dozens of variations on numerical schemes used over the years, serial numbers sometimes do little to shed light on the origin of a mysterious Gibson.“Serial numbers can be extremely tricky,” says Gibson Customer Service Manager Jason Davidson, whose team fields calls and emails regarding every Gibson division. Gibson has had so many different schemes over the years, and now we’re using reissue serial numbers that look like the old serial numbers.”Inside a locked closet just outside Davidson’s office are some of Gibson’s most enduring written materials—shipping records dating from 1. With vintage Gibsons selling at auction for as much as half a million dollars, Davidson will sometimes roll up his sleeves and poke around in the ledgers, but only as time allows. The earliest volumes contain hundreds of yellowed pages covered front and back with rows of handwritten numbers. It can take Davidson several hours to locate a specific serial number, if he can find it at all. Even then, there may be four other guitars—of all different models—with the same number sequence. When faced with a question about a guitar’s date, Davidson most always refers to his beyond- dogeared copy of Gruhn’s Guide to Vintage Guitars.“At least a quarter of the calls that Gibson’s Customer Service team gets are related to the dating and IDing of guitars,” Davidson says. Another resource for IDing and dating guitars is Gibson’s computer database, which catalogues scores of serial numbers from 1. It doesn’t always date the guitar,” says Davidson. Serial numbers can pull up multiple guitars from multiple years.”To illustrate his point, Davidson types in a serial number from memory and it quickly pulls up three different guitars—an SG, a Steinberger, and a Les Paul.“Sometimes I’ll literally pull up 1. The ship date can help us, but if it’s a weird serial number, we’ll ask for photos.”Today, Gibson USA takes great pains not to recycle serial numbers. To combat the problem, the company upped its serial number sequence last year from eight digits to nine. That’s exactly what happened following a recent modification in the font size of the serial numbers used on the new Les Paul Classics.“We’re always trying to get things more accurate,” explains Marlow, “so we changed the Les Paul Classic font because we found a stamp as close to the ’6. Davidson is quick to point out that consumers have good reason to be alarmed by real or perceived discrepancies on Gibson models. For the most part, it looks real. But there are some obvious indicators—if it starts with a five, for instance. We don’t start any eight- digit serial numbers with a five. Or it might be an eight- digit serial number that indicates it was built on the 7. In a case like that, we’re clearly dealing with a fake guitar.”Davidson is referring to Gibson’s system—in effect since 1. 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Here are free alternatives to Microsoft Access that provide some of the similar. Axisbase 1 provides an option to be used as a personal database like Microsoft Access. Is there a database program similar to Microsoft Access for Linux? Is there a database program similar to Microsoft Access for the Macintosh? They provide some similar facilities, like sorting. Kexi Project Homepage. Kexi is considered as a long awaited open source competitor for Microsoft Access. Kexi is an open source visual database applications creator, a long-awaited competitor for programs like MS Access or. Is there a free program like Microsoft Access? I have always used Microsoft Office. I cannot afford to buy it now so I am using Open Office. Are there any free programs that are similar to Microsoft. ![]() New features were added to the Access 2. Access 2. 00. 2, 2. Microsoft Access 2. GB from 1. GB in Access 9. Microsoft Access 2. ACCDB. It supports links to Share. Point lists and complex data types such as multivalue and attachment fields. These new field types are essentially recordsets in fields and allow the storage of multiple values or files in one field. Microsoft Access 2. File Attachment field, which stored data more efficiently than the OLE (Object Linking and Embedding) field. ![]() Microsoft Access 2. ACCDB format supported hosting Access Web solutions on a Share. Point 2. 01. 0 server. For the first time, this allowed Access solutions to be run without having to install Access on their PC and was the first support of Mac users. Any user on the Share. Point site with sufficient rights could use the Access Web solution. A copy of Access was still required for the developer to create the Access Web solution, and the desktop version of Access remained part of Access 2. The Access Web solutions were not the same as the desktop solutions. Automation was only through the macro language (not VBA) which Access automatically converted to Java. Script. The data was no longer in an Access database but Share. Point lists. An Access desktop database could link to the Share. Point data, so hybrid applications were possible so that Share. Point users needing basic views and edits could be supported while the more sophisticated, traditional solutions could remain in the desktop Access database. Microsoft Access 2. Access desktop solutions plus a significantly updated Share. Point 2. 01. 3 web solution. Unlike Share. Point lists, this offers true relational database design with referential integrity, scalability, extensibility and performance one would expect from SQL Server. The Access 2. 01. Access 2. 01. 0 but several features were discontinued including support for Access Data Projects (ADPs), pivot tables, pivot charts, Access data collections, source code control, replication, and other legacy features. Microsoft Access was the first mass- market database program for Windows. With Microsoft's purchase of Fox. Pro in 1. 99. 2 and the incorporation of Fox's Rushmore query optimization routines into Access, Microsoft Access quickly became the dominant database for Windows - effectively eliminating the competition which failed to transition from the MS- DOS world. This was before Visual Basic. Bill Gates saw the prototypes and decided that the BASIC language component should be co- developed as a separate expandable application, a project called Thunder. The two projects were developed separately. Access was also the name of a communications program from Microsoft, meant to compete with Pro. Comm and other programs. This proved a failure and was dropped. Multiple backend sources can be used by a Microsoft Access Jet Database (ACCDB and MDB formats). Similarly, some applications such as Visual Basic, ASP. NET, or Visual Studio . NET will use the Microsoft Access database format for its tables and queries. Microsoft Access may also be part of a more complex solution, where it may be integrated with other technologies such as Microsoft Excel, Microsoft Outlook, Microsoft Word, Microsoft Power. Point and Active. X controls. Access tables support a variety of standard field types, indices, and referential integrity including cascadingupdates and deletes. Access also includes a queryinterface, forms to display and enter data, and reports for printing. The underlying Jet database, which contains these objects, is multi- user and handles record- locking. Repetitive tasks can be automated through macros with point- and- click options. It is also easy to place a database on a network and have multiple users share and update data without overwriting each other's work. Data is locked at the record level which is significantly different from Excel which locks the entire spreadsheet. There are template databases within the program and for download from Microsoft's website. These options are available upon starting Access and allow users to enhance a database with predefined tables, queries, forms, reports, and macros. Database templates support VBA code but Microsoft's templates do not include VBA code. Programmers can create solutions using VBA, which is similar to Visual Basic 6. VB6) and used throughout the Microsoft Office programs such as Excel, Word, Outlook and Power. Point. Most VB6 code, including the use of Windows API calls, can be used in VBA. Power users and developers can extend basic end- user solutions to a professional solution with advanced automation, data validation, error trapping, and multi- user support. The number of simultaneous users that can be supported depends on the amount of data, the tasks being performed, level of use, and application design. Generally accepted limits are solutions with 1 GB or less of data (Access supports up to 2 GB) and performs quite well with 1. This capability is often a good fit for department solutions. If using an Access database solution in a multi- user scenario, the application should be . This means that the tables are in one file called the back end (typically stored on a shared network folder) and the application components (forms, reports, queries, code, macros, linked tables) are in another file called the front end. The linked tables in the front end point to the back end file. Each user of the Access application would then receive his or her own copy of the front end file. Applications that run complex queries or analysis across large datasets would naturally require greater bandwidth and memory. Microsoft Access is designed to scale to support more data and users by linking to multiple Access databases or using a back- end database like Microsoft SQL Server. With the latter design, the amount of data and users can scale to enterprise- level solutions. Microsoft Access's role in web development prior to version 2. User interface features of Access, such as forms and reports, only work in Windows. In versions 2. 00. Access object type called Data Access Pages created publishable web pages. Data Access Pages are no longer supported. The Microsoft Jet Database Engine, core to Access, can be accessed through technologies such as ODBC or OLE DB. The data (i. e., tables and queries) can be accessed by web- based applications developed in ASP. NET, PHP, or Java. With the use of Microsoft's Terminal Services and Remote Desktop Application in Windows Server 2. R2, organizations can host Access applications so they can be run over the web. These web- based forms and reports run in any modern web browser. The resulting web forms and reports, when accessed via a web browser, don't require any add- ins or extensions (e. Active. X, Silverlight). Access 2. 01. 3 can create web applications directly in Share. Point 2. 01. 3 sites running Access Services. Access 2. 01. 3 web solutions store its data in an underlying SQL Server database which is much more scalable and robust than the Access 2. Share. Point lists to store its data. A compiled version of an Access database (File extensions: . MDE /ACCDE or . ADE; ACCDE only works with Access 2. An MDE or ADE file is a Microsoft Access database file with all modules compiled and all editable source code removed. Both the . MDE and . ADE versions of an Access database are used when end- user modifications are not allowed or when the application. |
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December 2016
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